“I didn’t want this to be a stunt, but a true exploration of King’s wish that we all be judged by the content of our character and not the color of our skin,” Oatman said. “I wanted the contrast … I wanted to see how the words rang differently or indeed the same, coming from two different actors, with two different racial backgrounds.”
Oatman did not respond to a request for comment, but Hall said she had a respectful phone call with the director about a month after he staged the play at the university’s Department of Pan-African Studies’ African Community Theatre from late September to early October.
“I feel as though a lot of theatermakers were a bit appalled at the choice that the director made – and that it was supported so wholeheartedly by the institution,” Hall said. “So it was really a moment to talk about playwright intention, but to then, beyond that, talk about much bigger issues, about not only being a black artist but also being a black person in America.”