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Showing posts sorted by date for query streaming services. Sort by relevance Show all posts
Showing posts sorted by date for query streaming services. Sort by relevance Show all posts

Sunday, July 12, 2015

Living That Thuglife

"Thuglife" was a track produced by Draztik of Lima, Ohio which co-featured Gansta Marcus. The release comes off the new album Slick Rick which was released in digital music streaming services July 7th, 2015. I kicks off: I live that "Thuglife," I be twisting blunts for show, I live that "Thuglife," stunting with my glock for show..More

Monday, April 13, 2015

Jay Z Talks Tidal, Jimmy Iovine, And Rewriting The Music Rulebook

Jay Z doesn’t give many interviews. In conversation, he often pauses mid-sentence, considers, rewinds, slices and reshapes his answer, choosing a more appropriate word or analogy that draws a finer point before revealing it to the interviewer. What’s commonly assumed is a mistrust of the press may just be that unlike his work in the studio or onstage, Jay Z doesn’t ultimately control the final result of an interview, and therefore treads more carefully while giving one.

Saturday, March 21, 2015

Streaming Music Has Sold More Than CDs

I have not heard a soul in this world that say they dislike +Spotify. Even artist can +Get Your Music On Spotify now and days. The music industry is changing, with music streaming earning more money than the sale of CDs for the first time ever in 2014. According to the RIAA, music streaming earned a total of $1.87 billion in 2014, while CDs generated $1.85 billion, with the entire industry earning $6.97 billion overall, which was slightly down from their numbers in 2013.

Though these numbers are close, it’s clear that streaming is on the upswing while CDs are becoming a thing of the past, especially with Spotify records already getting shattered by Kendrick Lamar and Drake just three months into the year. Now all music streaming services needs is for Taylor Swift to get on board, and it’s a wrap.


Thursday, January 22, 2015

Apple Buys Musicmetric

Apple has acquired a London music startup. The tech giant has bought the company behind music analytics service Musicmetric, Musically reports. 

Musicmetric owner Semetric changed its registered address to 100 New Bridge Street in London, home of Apple Europe Ltd. On the same day, it also filed documents to detail the appointment of a new director. He’s called Gene Daniel Levoff and up until now has been based at Apple’s global HQ.

Apple told Musically that it “buys smaller technology companies from time to time,” adding that it doesn’t “generally discuss our purpose or plan”. Semetric also declined to comment.

It’s speculated that Apple’s latest purchase could pave the way for the company to expand its music services. Apple wants to better tune its music arms: iTunes will likely be overhauled. But it’s Beats Music that stands to benefit most. Apple is going to relaunch the platform this year and there’s talk it could come pre-installed on iPhones and iPads.

Musicmetric launched in 2008 and allows music industry clients to track social and sales analytics through a dashboard, Musically writes — it also offers data streaming. In Jan. 2013 it received $4.8 million in funding.

Musicmetric says it’s about “turning big data into big opportunities”, and continues: “Whether you’re planning your first album launch or a global tour, on the lookout for new talent or after some killer intelligence to help pick your next brand ambassador, the Musicmetric dashboard will quickly and simply tell you all you need to know.”

How Apple chooses to use and develop Musicmetric remains to be seen, but one certainty is the implications the acquisition has for other streaming companies such as Spotify and Next Big Sound.

Here’s what Musically says:

Spotify has a partnership with Musicmetric to pipe in streaming data for labels to access via the latter’s dashboard.

Just as rival streaming services ended their partnerships with music/tech firm The Echo Nest firm when Spotify bought it last year, so Spotify is unlikely to be too keen on providing a firehose of its data to an Apple subsidiary.

Friday, October 17, 2014

Get Ready For Deezer

The Wrap-Up Magazine has been releasing the hottest digital services that are currently running and up and coming. In this post, we give a shout out to +Deezer, a company on the rise for digital releases. Deezer is the No. 1 site for listening to music on demand. Discover more than 35 million tracks, create your own playlists, and share your favorite tracks with friends and family.

Deezer is a web-based music streaming service. It allows users to listen to music content from record labels including Sony, EMI, Warner Music Group and Catapult. With Deezer, music is FREE on your mobile, tablet and computer. Millions of tracks are waiting. Your favorite artists too. Listen without limits.


Sunday, February 2, 2014

Investors Put $2.4 Billion Into Music


In the 57 investment deals totaling over $2.4 billion tracked by Billboard, nearly 9 in 10 dollars invested went to a traditional music company, an EDM concert promoter or a company that streams music. Most of the investments were made in small, digital startups. Some are trying to improve how people discover concerts. A handful of them are changing how people create music.

A similar company hoping to disrupt the recorded music market is Beats Music, a subscription service that launched Jan. 21. An offshoot of Beats Electronics, the maker of the popular Beats By Dr. Dre headphones, Beats Music raised $60 million from Access Industries, the owner of Warner Music Group. (A year earlier, Access placed $130 million in Deezer, a competitor of Spotify and Beats Music.)


Warner Music Group’s acquisition of Parlophone Label Group was the biggest single investment in music in 2013. The $765 million deal, representing nearly a third of the year’s music investments, gave Warner not only Parlophone and Chrysalis but EMI’s operations in a handful of European countries. Also in this category was the acquisition of Nettwerk Music Group for $10.3 million in April.

Investors in streaming music were attracted to scale, potential and momentum rather than profitability. Services that provide on-demand streaming either audio or video raised $406.5 million. The largest deal was a $250 million investment in Spotify, an unprofitable company that’s a category leader and has 24 million active users — not all of them paying customers — across 55 countries.


SFX Entertainment accounted for the next-largest bucket, concert promotion, worth $480 million. The EDM-focused company’s initial public stock offering in October raised $260 million. It also acquired three EDM promoters: ID&T for $130 million, i-Motion for $21 million and Totem OneLove Group for $69.1 million.

In spite of a reputation for difficult business models and costly licensing fees, services that use licensed music attracted $838.8 million, or 49% of all investments. Four deals landed by Internet radio companies raised $443.3 million. Following Pandora’s $393.3-million secondary stock offering were smaller venture capital rounds by TuneIn ($25 million), DeliRadio ($9.4 million) and Songza ($4.7 million). There is a catch: TuneIn is merely an aggregator of Internet radio streams and doesn’t itself pay any royalties.

Investors backed numerous companies that help consumers find music they like. The smallest investment was $100,000 in Bop.fm, an online tool that aggregates songs from various digital music services. Two other startups that offer aggregation tools, Songdrop and MFiveLabs, received funding. Investors also backed numerous companies that help people discovery music or concerts. Most such deals were small, but music identification app Shazam received a $40-million investment from the world’s richest man, Carlos Slim.

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