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Friday, September 7, 2018
Spotify May Be Doing Deals With Independent Artist
Friday, June 15, 2018
Independent Record Labels You Should Know
From legendary indies to internet-based upstarts, these labels are all doing something special.
Tuesday, April 28, 2015
Universal Music Group Drops Distribution Company
Tuesday, July 2, 2019
Spotify Shuts Down Its Uploading Program
Thursday, March 31, 2022
#Letthemusicplay #LightUpLive #soundrecovery #nowplaying #radiostream #onlineradio #radiodirectory
Supporting independent artists doesn't only benefit you, it also benefits the artists. Presaving and streaming their songs, reposting their posts on your Instagram story, and even just telling your friends about them are all so immensely helpful.
Wednesday, May 9, 2018
Why American Independent Internet Radio May Go Extinct
The new performance royalty rates that internet radio will pay artists and record labels were released on December 16 and many small and mid-sized internet-only broadcasters are now fearing.... While there was a modest increase on the fee paid for each song played, the bigger concern is what’s missing.
Saturday, September 21, 2019
The Truth Behind Cash Money Vs No Limit Records Beef
Anybody that been a follower of deep dirty south music knows about the history or the turf rivalry that been going on between Cash Money and No Limit Records.
Sunday, April 3, 2022
How To Make Money as An Artist
Here are some tips on how to make money as an artist:
Making money as an artist can be a challenge. You need to find ways to make a name for yourself and stand out from the competition. In this blog post, we will explore some tips from the pros on how to make money as an artist. We will discuss how to use Spotify, Instagram, and other platforms to make a name for yourself and sell your music. Let’s get started!
Wednesday, June 7, 2017
Friday, December 11, 2015
No Limit Records Responds To Young Junns Rant
Upon his arrival, while recording We provided him with money for meals, clothing, gas, countless flights to Seattle, Pittsburgh and money for many other endeavors of Junne’s with no contract. Junne was and is relatively unknown to the hip hop consumers. Burning up a No Limit Contract is like burning money, we only do 50/50 partnerships with artists while most labels only offer three sixty deals.
All P has ever asked of any artist was to invest their time. So if you call the studio a prison and prefer to party more than you put in work you can’t be serious about your career. Its funny how just last week he was posting all of this No Limit stuff up, but when mysteriously he posts up a video which was not authorized by No Limit Video director, he desperately turned it into his own video, and then he goes on a social media rant.
No Limit Forever A&R Director Mr. Bursh said “Junne was never signed to No Limit Forever Records and it’s truly disappointing that Junne has made it obviously clear that he is ungrateful for the opportunities that were offered him. The fact of the matter is Master P doesn’t benefit from working with unknown artists being he has already built a label that has sold over seventy five million records and he has dropped multiple mixtapes this year alone which makes him the hardest working artist on our label plus he’s the BOSS!
Sunday, March 1, 2015
Get Maximum Exposure For Your Music
Wednesday, June 7, 2017
$8M Raised To Get Artist Paid
Another problem Stem is trying to tackle is ensuring that collaborators that may not be able to monetize their content. Some artists — like first-timers — may be releasing content but have to treat it purely as promotional or marketing. Instead of just focusing on making money of touring, Rabkin said Stem will hopefully offer those artists some way of driving revenue right from the get-go.
The data that Stem brings in from all these disparate platforms may also, itself, be valuable. Artists can get information on their listeners and start to zero in on some of their preferences. That might help them tailor their tours or other parts of their marketing. But adding information around revenue streams on top of that adds another layer of data that can signal a much stronger level of engagement than some of the other signals they might have.
There will likely be plenty of competition in the space. Kobalt, for example, raised $75 million at a $775 million valuation last month. And each of these services — like iTunes or Spotify — may end up simplifying their artist tools down enough that it may not require such complicated background gymnastics to figure out how to get the right people paid. But Rabkin hopes that by building a seamless enough experience Stem will be able to attract a wide artist base that includes Frank Ocean, Childish Gambino, DJ Jazzy Jeff, Anna Wise, Chromatics, and Poolside.
Saturday, December 23, 2017
Apple Sued Over Unpaid Royalties
Tuesday, March 7, 2017
Are You Ready For SXSW?
Thursday, February 8, 2018
Styngray - Till the Casket Drop
First Kings Entertainment and recording artist Styngray have recently released a new single and video entitled “Till the Casket Drop”. The single debuted at #108 and has climbed to #83 on Digital Radio Tracker’s top 150 chart for independent artists.
Wednesday, January 31, 2018
Monday, December 17, 2018
Memphis Legend Speaks On Paper Route
Saturday, June 2, 2018
Kenny B (@KennyBMusic1) - "Let's Play"
Friday, May 24, 2019
TrapFlix Presents: Zaytoven And JT The Bigga figga
Sunday, June 3, 2018
Top 5 Reasons DJs Make The Best Producers
Those who know their history understand that DJing is the fundamental element of Hip Hop. Before the MPC, SP1200 or FLStudio, Emcees rocked over instrumental beds provided by DJs. The role of today’s hip hop producers is the natural evolution of this relationship, and here are 5 reasons DJs make the best producers.
If you want to be Hip Hop’s next big Producer, don’t purchase Fruityloops or Reason.... BUY SERATO! While that may sound odd, a quick look at some of Hip Hop’s top hit makers will clearly illustrate the strong connection between DJing and great production. Just google the discography of DJ Premier, Dr. Dre, Timbaland or Swizz Beats, all of which cut their teeth as DJs prior to becoming some of the most influential producers in hip hop.