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The mandate, which was first announced by former Mayor Bill de Blasio ahead of an expected winter surge in COVID-19 cases, came to fruition last week amid a much less dire coronavirus situation in the city and the country at large. Nevertheless, nearly 3,000 workers were at risk of termination on Friday over the rule, but many submitted their proof of vaccination or chose to get the shot after being notified of their imminent termination.
In May 2019, before COVID-19 began sweeping through the world, the World Health Organization declared burnout “an occupational phenomenon.” In fact, concern about work and well-being goes back centuries and was always linked to culture: It was Aristotle, after all, who worried about what it would take to create a sense of flourishing or eudaimonia.
Now that chief executives around the globe are trying to maintain or reinvent both corporate culture and future strategy in the wake of a pandemic that rewrote the rules of work, it’s popular culture that leaders should consider to win the hearts and minds of their workers — specifically pop music.
Jazz-soul singer Tosha Owens led the slate of winners Sunday night at the 31st Detroit Music Awards, taking three honors across multiple genres.
Owens took outstanding blues artist, rock-pop recording (“Love More, Hate Less” with Bob Mervak) and vocalist in the streaming ceremony, the show’s third year as an online-only event.
