Saturday, May 31, 2014

Apple And Dr. Dre

+Apple iPhone and iPad Apps, News and Updates and new music mogul +Dr Dre both have a new bio. Now that Apple has officially purchased Beats Music and Beats Electronics, we are left to ponder its broader meanings as the man who once rapped about gangbanging and reefer now becomes a high-profile Apple employee. I believe the deal symbolizes the possible end of an era: an end to Apple as an innovative brand, and a farewell to Dr. Dre as a music maker.

The acquisition is widely viewed as Apple playing catch-up to streaming services such as Spotify and Pandora. Apple’s own press release stressed the importance of Beats Music. As a sign of respect for the Beats brand (and lack of belief in its own), Apple will keep the subscription Beats Music intact, alongside Apple’s own iTunes Radio. Beats Music has hardly taken the world by storm as a streaming competitor to Spotify and Pandora since being launched in January 2014. But Apple Insider reports that the service has a strong conversion rate, with the vast majority of tracks being streamed by paying customers. Meantime, iTunes, which relies on a download model, has seen its sales slump as consumers latch on to streaming services. iTunes Radio, Apple’s answer to streaming, has yet to take hold.

Mark Zuckerberg was riding the momentum of a business built off one compelling idea, that as naturally social creatures, human beings would flock to a digital place where we could emulate our offline social behaviors online. But on top of the core innovation of launching Facebook, Zuckerberg’s massive wealth, and Facebook’s phenomenal growth, was built off pedestrian advertising programs and ongoing tweaks to the core product as opposed to anything newsworthy.
Today Facebook seems to be setting the pace by buying into innovation. And now Apple, having failed to capture our imagination with daring new products in the post-Jobs era, is following Facebook’s lead by doing the same. Earlier this year, Facebook announced the purchase of messenger service WhatsApp for $19 billion, thus acquiring the most popular messaging app for smartphones and a potential rival. Within weeks, Facebook announced another major acquisition, this time shelling out $2 billion for virtual reality firm Oculus. The two acquisitions were but the latest in a long list of examples of Zuckerberg using cash, not innovation from within, to grow.

Under the Tim Cook era, the Apple brand has gradually lost its luster in the innovation department, with the iPad Mini and iPhone 5 coming across as marginal product enhancements as opposed to the major breakthroughs in design and functionality that once disrupted entire industries. Meantime, Apple has complemented its product enhancements with acquisitions: PrimeSense, an Israeli 3D sensing company, Embark, a mapping company, and now Beats.

Even during the Steve Jobs glory years, Apple’s innovations were not always homegrown. For instance, Apple’s own GarageBand app was fueled by the acquisition of Nothing Real and Shake, and of course Apple purchased Jobs’s own NeXT Computer. But the acquisitions contributed to in-house innovations, whereas acquisition seems to be Apple’s sole innovation strategy today.

Dre has come along way since he helped introduced American music fans to the rough, brutally violent gangsta rap genre during his days with NWA in the early 1990s. Through his own music recordings, production work, and business operations, he’s created a legacy of a hybrid artist and music mogul. He helped popularize (and shape) the music of huge hip-hop stars such as Eminem and Snoop Dogg through his studio collaborations, and in the 1990s, he released two stunning albums of his own material, The Chronic and The Chronic 2001. If his music was frequently X-rated, it was also innovative, powerful, and critically acclaimed. But in the 2000s, he released not a single album’s worth of music although he was said to be working on the long-awaited Detox, which has yet to materialize. Instead he focused on production, collaborating frequently with his alter ego Eminem, 50 Cent, and a slew of other artists.
But his biggest production occurred in 2008 with the rollout of Beats by Dr. Dre headphones, a high-end, expensive product that made headphones sexy. With his focus shifting toward building the Beats brand with co-founder Jimmy Iovine, his production work diminished. Detox has become rap’s answer to Guns ‘n Roses’s Chinese Democracy: forever in production, never released. Rappers such as Game question whether Detox will ever be released.

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